PhD student at the Graduate Program in Brazilian Literature (FFLCH / USP) under the guidance of Prof. Dr. Vagner Camilo. Master in Philosophy, at IEB / USP, research guided by Prof. Dr. Telê Porto Ancona Lopez. Fapesp scholarship holder in Master's, Doctorate and Research Internships at Sorbonne Université, with Prof. Dr. Michel Riaudel, and Lateinamerika-Institut, Freie Universität Berlin, with Univ.-Prof. Dr. Susanne Klengel. (Source: Lattes Curriculum)
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The complex auctorial representation composed by Mário de Andrade (1893-1945), when examined together, offers a rich perspective of his trajectory in poetry. Between Há uma gota de sangue em cada poema (1917) and "Meditação sobre o Tietê", at the end of Lira paulistana (1946), many are the figures he assumes. From his literary début, depicted as fearful and humble, up to the half-blood ba…
Examine, based on genetic criticism, Mário de Andrade's critic itinerary on a fundamental theme of Brazilian romantic poetry, the fear of loving, as he formulated by reading the works of Gonçalves Dias, Álvares de Azevedo, Casimiro de Abreu, Fagundes Varela and Castro Alves. (AU)
The complex auctorial representation composed by Mário de Andrade (1893-1945), when examined together, offers a rich perspective of his trajectory in poetry. Between Há uma gota de sangue em cada poema (1917) and "Meditação sobre o Tietê", at the end of Lira paulistana (1946), many are the figures he assumes. From his literary début, depicted as fearful and humble, up to the half-blood ba…
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