Abstract
Bertolt Brecht's thought was a key reference for filmmakers such as Glauber Rocha, Tomás Gutiérrez Alea, Julio García Espinosa, Jorge Sanjinés and Fernando Solanas. To deepen the debate on modern and politically-committed cinema in Latin America, it is important to analyse works in a comparative perspective, finding similarities and differences between them. In the filmic and theoretical …