Art historian, professor, curator and director at the Museum of Contemporary Art of the University of São Paulo (MAC USP). Member of the Brazilian Committee for Art History (CBHA) since 2000. She was editorial coordinator at Fundação Bienal de São Paulo between 2001 and 2008. She is graduated in History at the University of Campinas (UNICAMP, 1992), and took her MA in History of Art and Culture at the same institution (1995). She then did her PhD in History and Criticism of Art at the University of São Paulo (USP, 2000), and her habilitation at the same institution (USP, 2015). She is professor of the Graduate Programmes in Aesthetics & Art History, and in Museology, both at the University of São Paulo. She's a ad hoc referee of FAPESP, CAPES and CNPq. She was Guest Professor at the Università degli Studi di Milano (2011), Universté Paris 8 - Saint Denis (2014), Guest Scholar at the Getty Research Institute (2016), and is now Guest Professor of the MA Programme of the Institute of Art History of the University of Vienna. (Source: Lattes Curriculum)
| Articles published in Pesquisa FAPESP Magazine about the researcher: |
| Memoria selectiva |
| Selective memory |
| In real time |
| En tiempo real |
| Un patrimonio redescubierto |
| Modernidad intercontinental |
| Intercontinental modernity |
| Modernidad intercontinental |
| News published in Agência FAPESP Newsletter about the researcher |
| TITULO |
| Articles published in other media outlets (0 total): |
| More itemsLess items |
| VEICULO: TITULO (DATA) |
| VEICULO: TITULO (DATA) |
The present project aims, through a systematic study, to propose and evaluate appropriate actions to be adopted for the conservation of works of art in contemporary metal, both during their routine maintenance and also, if necessary, on the occasion of more invasive interventions. To this end, based on questions that emerged during the recently completed project (Characterization and eval…
This research project aims at the discussion of metholodogies in the management and handling of museological collections. In this sense, its central study object is what we call the curatorial cycle, which contrary to the notion of curatorship (in the way that nowadays it has been defined by its practice in the field of art) involves a chain of procedures and practices inside museums, fro…
(Only some records are available in English at this moment)
This research aims to investigate the works of the Santa Helena Group artists in the Francisco Matarazzo Sobrinho Collection, present in the first nucleus of the former São Paulo Museum of Modern Art (MAM SP), currently at MAC USP. The Italian acquisitions of this same first nucleus show a relationship between the values that led to art production, criticism and circulation in the 1930s a…
This project aims to investigate the presence of Lionello Venturi (Modena, 1885 - Rome, 1961), in South America, and in a more detailed way in Brazil, in the period from the 1940s, with the beginning of the institutionalization of modern art here, especially with the creation of the former MAM of São Paulo, until the 1960s (after the critic's death), when his name figures in numerous ways…
(Only some records are available in English at this moment)
This postdoctoral project intends to study of the collection of Dutch and Belgian modern art in the MAC-USP collection. First, this research intends to investigate the provenance of the artworks and the circumstances in which they were made. Secondly, I will analyze the impact of these works on Brazilian artistic production and criticism, in the context of the debate on abstraction in the…
The scholarship student selected to develop this scholarship will be based at MAC USP, working with the museum's collection of modern art, at the subproject of the responsible professor and her activities correspond to the "process" axis of the Thematic Project. It will update the catalog files of the modernist collection received by MAC USP from the old MAM, based on the parameters alrea…
(Only some records are available in English at this moment)
This project studies the artists of Dutch and Belgian origin present in the MAC-USP collection. I have selected 38 artworks by 26 painters from the museum's collection, born in Holland and Belgium, or related to artistic movements in these countries between 1930 and 1970. They are: Constant Permeke, Karel Appel, Pierre Alenchinsky, William Gear, Johann Gutlich, Gerrit Benner, Daniel den D…
The aim of this project is to research the transfers of Liuba Wolf and Pola Rezende and the process of musealization of Felicia Leirner's artwork in Europe. These three sculptors from Eastern Europe (the first two from Bulgaria and the third from Poland), immigrated to Brazil in the 20th century, where they exhibited regularly. Some of his works are safeguarded nowadays by the Museum of C…
The project to be developed during the internship period at the Bibliotheca Hertziana - Max Planck Institute for Art History in Rome will aim at studying 28 Italian paintings from the Collection of the Museum of Contemporary Art of the University of São Paulo (MAC USP), whose origin and interpretation within the largest set of modern Italian works under investigation since 2009, are still…
The research internship at the Centre de Recherche HAR - Histoire des Arts et Représentations of the Université Paris Ouest Nanterre seeks the expansion and deepening of theoretical and methodological discussions and conducting research in French and German archives, which are key to continuity of the Master Research conducted in Brazil, such as: the Centre de Ressources Documentaires du …
(Only some records are available in English at this moment)
| 2 / 2 | Ongoing research grants |
| 14 / 5 | Completed research grants |
| 6 / 6 | Ongoing scholarships in Brazil |
| 12 / 8 | Completed scholarships in Brazil |
| 1 / 1 | Ongoing scholarships abroad |
| 4 / 4 | Completed scholarships abroad |
| 39 / 26 | All research grants and scholarships |
| Associated processes | |
CV Lattes
ORCID