Claudiney Rodrigues Carrasco

• Abstract

  The project proposal is to deal with the subject of sound in the documentary film. I have especial interest in auteur documentary films in which the body, the action, the self, the apparatus and/ or the narrative resources of the director come to occupy, from the visual and sound take and editing, an evident and decisive dimension in the narrative. The productions that elapse in these tre…

  Documentary film and soundtrack: the sounds of the self, BP.DR

• Abstract

  This project aims to discuss a specific part of the work of Moacir Santos (1926-2006), which is temporarily located in the first decades that the composer took up residence in the U.S., approximately from 1967 to 1985. By that time Santos became a mainly requested composer for the American film and television industries and participated in the production of major movies and TV shows of t…

  Moacir Santos ghostwriter: the composition of musical scores for films in the north-american period, BP.DR

• Abstract

  This research has as main objective to rescue the history of radio sound effects and reflect how the market entered the Brazilian film. Show from the emergence of sound cinema, a number of techniques developed sound, many of them existing today, and the importance of the participation of radio professionals in this process . Will be searched on the beginning of the sound on the radio, mai…

  From radio to the screen: a study on the development of sound techniques and the contribution of radio professionals in Brazilian cinema, BP.DR

(Only some records are available in English at this moment)

• Abstract

  This research proposal, to be developed during my visiting period at Indiana University (IU), is related to my PhD investigation in the Department of Film Studies at the Institute of Arts at University of Campinas (UNICAMP), entitled 'Documentary Film and Soundtrack: The Sounds of The Self'. It is part of a study on sound and music in documentary film that I have been conducting since my …

  In search of a history and theory of documentary film sound, BE.EP.DR

• Abstract

  This research proposal is related to my PhD investigation held at University of Campinas (UNICAMP), under the financial support from São Paulo Research Foundation (FAPESP), entitled 'Documentary Film and Soundtrack: the Sounds of the Self'. It is part of a study on sound and music in documentary films that I have been conducting since my undergraduate and master's degree, also with suppor…

  The Self and the Australian Documentary Film: Sounds and Echoes from Down Under, BE.EP.DR

• Abstract

  This project is a branch of a doctoral research project funded by FAPESP, entitled "Moacir Santos ghostwriter: the composition of musical scores for films in the North-American period". This proposal describes the objectives, the background and the work plan of the short term research internship to be held in 2015 at UCLA (University of California, Los Angeles), in order to collect and ca…

  The film music composition of Moacir Santos: California's field research, BE.EP.DR