CV Lattes
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Universidade de São Paulo (USP). Escola de Comunicações e Artes (ECA) (Institutional affiliation from the last research proposal) Birthplace: Brazil
graduate at Bacharelado Em Música from Universidade de São Paulo (1990) and ph.d. at Arts from Universidade Estadual de Campinas (2005). He is currently professor doutor at Universidade de São Paulo. Has experience in Arts, focusing on Musical Instrumentation, acting on the following subjects: música do século xviii, interpretação historicamente orientada, clarinetes históricos, música de câmara and flauta-doce. (Source: Lattes Curriculum)
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(Only some records are available in English at this moment)
The viola d'amore was a musical instrument of undisputable presence throughout the 17th and 18th centuries, having been dedicated works by several composers. However, in the beginning of the 19th century, with the establishment of the orchestra, its usage was gradually restrained until its oblivion. The viola d'amore's revival in 20th centiry's musical performance emerged, primarily, from…
This work aims to investigate and analyze how the social and religious transformations of the second half of the 17th century influenced musical productions in Austria during Leopold Is reign (1658-1705). The chosen period for the the present work is related to the fact that Leopold I was responsible for promoting Austria to a important musical center, which was connected not only to the …
In our master's dissertation, we translated and commented the complete treatises of the violinist and composer Francesco Geminiani (1687-1762), who had had prominent activity in the eighteenth century England. In that work, it was possible to verify that discussions upon taste are the central subject of his theoretical oeuvre. For eighteenth century authors, taste refers to the evaluation…
The present project aims to analyze, through the perspective from musical rhetoric, A Pilgrimes Solace (1612) by John Dowland, long for comprehension from religious Elizabethan melancholy, the confluences of it with neoplatonic philosophy and its symbolic representations on the piece's texts.Since 16th Century, melancholy becomes a philosophical subject of great relevancy in England. It w…
Cahos has been a constant debate theme since Ancient times, although few studies approach the representations of Cahos in music. Neither musical works that imitate Cahos have come broadly in musical literature. However, the 18th century witnesses, at least, three main works which come to this issue: the ouverture Les Elemens (1737), of Jean-Féry Rebel, the ouverture of opera Zais (1748), …
(Only some records are available in English at this moment)
Due to the Jesuit education of Emperor Leopold I (1658-1705) and his particular involvement with music composition, the second half of the 17th century and the early 18th century were marked by the intensification of the patronage of fully sung Jesuit dramas in Austrian lands. Taking into account the international recognition of Austrian music during that period and the importance of full…
The purpose of the main research is to analyze, through the rhetorical-musical perspective, John Dowland's A Pilgrimes Solace (1612), aiming at understanding the Elizabethan religious melancholy and its rhetorical representations in the texts of the piece.Thus, the present project to be developed at the University of Newcastle (England) together with Prof. Dr. Kirsten Gibson aims to focus…
This project is to describe the plan of activities to be realized over the course of internship at the Early Music Departament of Escola Superior de Música de Catalunya (ESMUC), Barcelona. Since this proposal is fundamentaly connected to the main study plan - a complete and an unprecedented translation of the complete theorical ouvre of Italian violinist, composer and writer Francesco Gem…
(Only some records are available in English at this moment)
| 16 / 6 | Completed research grants |
| 2 / 2 | Ongoing scholarships in Brazil |
| 17 / 14 | Completed scholarships in Brazil |
| 5 / 5 | Completed scholarships abroad |
| 40 / 27 | All research grants and scholarships |
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