Modeling Spatial Musical Instruments using Wave Field Synthesis
ESPACE AND INTERACTIVITY IN ELECTROACOUSTIC MUSIC AND SOUND ART WITH GRANULAR SYNT...
Psychoacoustical studies based on full physical modelling for acoustic guitars sou...
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Author(s): |
Marcio José da Silva
Total Authors: 1
|
Document type: | Master's Dissertation |
Press: | São Paulo. |
Institution: | Universidade de São Paulo (USP). Escola de Comunicações e Artes (ECA/SBD) |
Defense date: | 2014-10-31 |
Examining board members: |
Regis Rossi Alves Faria;
Fernando Henrique de Oliveira Iazzetta;
José Augusto Mannis
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Advisor: | Regis Rossi Alves Faria |
Abstract | |
Seeking the practical application of the theory of Wave Field Synthesis (WFS) in music, a research aimed at modeling a sound system capable of creating spatial sound images with the use of this technique was made. Unlike most other techniques for sound projection that work with a small, localized listening area, WFS allows projecting the sounds of each sound source - such as musical instruments and voices - at different points within the hearing space, in a region that can cover almost the entire area comprised by this space, depending on the amount of installed speakers. The development of a modular structured code for WFS was based on the patch-oriented platform Pure Data (Pd), and on the AUDIENCE auralization system developed at USP, and it is integrable as a tool for interactive sound spatialization. The solution employs dynamic patches and a modular architecture, allowing code flexibility and maintainability, with advantages compared to other existing software, particularly in the installation, operation and to handle a large number of sound sources and speakers. For this system special speakers with features that facilitate its use in musical applications were also developed. (AU) | |
FAPESP's process: | 12/17263-1 - Modeling Spatial Musical Instruments using Wave Field Synthesis |
Grantee: | Marcio José da Silva |
Support Opportunities: | Scholarships in Brazil - Master |