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The ancestral memory’s polyphony: D. Nadir’s song, Mussuca’s voice, singer of groups of historical manifestations of Laranjeiras city – SE

Grant number: 11/15704-8
Support type:Scholarships in Brazil - Master
Effective date (Start): March 01, 2012
Effective date (End): January 31, 2014
Field of knowledge:Linguistics, Literature and Arts - Arts - Theatre
Principal researcher:Inaicyra Falcao dos Santos
Grantee:Osvaldice de Jesus Conceição
Home Institution: Instituto de Artes (IA). Universidade Estadual de Campinas (UNICAMP). Campinas , SP, Brazil

Abstract

This research aims to discuss the collective speech present in the popular song, which I would classify as polyphonic. I will do a case study about a female Master singer of tree historical manifestations from the quilombo remainder community, Mussuca, in the Laranjeiras city, Sergipe, with a view to amplifying the dialogue between the academic and popular knowledge, the latter being one primary focus in the current institutional structure of education, aiming at improving the teaching and learning process, within the Brazilian cultural identity. (AU)

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Academic Publications
(References retrieved automatically from State of São Paulo Research Institutions)
CONCEIÇÃO, Osvaldice de Jesus. Polyphony in memory as a power of orality: the song of D. Nadir, the story of a trajectory. 2014. Master's Dissertation - Universidade Estadual de Campinas (UNICAMP). Instituto de Artes Campinas, SP.

Please report errors in scientific publications list by writing to: cdi@fapesp.br.