Interfaces between interpretation and creation in dance from an eclectic body

Abstract

The ephemeral nature of dance, its nature of being one of the arts of the present moment, makes it a different nuance to every performance theater. The record of the processes of creation and its end product, the presentations is important for scenic artists, researchers, academics, as it will contribute significantly to the criticism and research in dance, as it becomes possible to preserve the work, the issues and solutions involved in their creation for later review. No less important, is to give society a chance to meet a spectacle not seen, or being touched in their subjective memories about him. Thus, among the objectives of this project is to analyze, document and record the audio visual aspects involved in dance as a research discipline. In this project we intend to explore a relationship of contents, which is linked to the act of creating, describing and realize the ideas proposed by the theatrical presentation of its results. Having realized this outline, surrounding it and delimits'll still articulate the contents of a triad: the technical (skills of the interpreter), poetic (literature and visual arts) and creation (submission procedures and scenic), in order to investigate further and, as the integration of somatic practices in the preparation of performers and creators can contribute to the creation of dance. (AU)